Dan Mutter 9/28/23 Dan Mutter 9/28/23

A Broader Horizon

In The Art of Racing in the Rain, the main (human) character Denny shares a secret he learned when racing cars in Italy: "La macchina va dove vanno gli occhi." Loosely translated, the car goes where the eyes go.

So too with the vehicle of our bodies and the instrument of our minds. Consider the essential behavior of hand-eye coordination. From bowling to baseball, yarning to yoga, our ability to track and translate the movement of our body to effect change on the external world requires we see the action as we perform it. It also highlights the importance of having direct experiences in the physical world. Nature pushes back in a real and meaningful way. The hyper-novelty of the modern era continues to draw us away from direct, physical experiences and toward screen-mediated virtual ones. I contend that the conversation that occurs between the body, the mind, and the environment is diminished when we over-inhabit digital space.

Our brains prioritize keeping our sightline horizontal. Our sense of balance is predominantly influenced by sight. The multi-sensory array of organs that allow us to perceive the real world is concentrated in the head, so our brains want to know where we are in space.

Literally and figuratively, we see where we are going because it is often where we are looking. To the extent that we allow our field of vision to include a broader horizon, we can approach a more expansive experience.

I believe that the art of chiropractic offers a philosophical, evolutionary, and expansive perspective. Beyond bones and muscles, chiropractic interfaces with the neurological, immunological, and psycho-emotional aspects of inhabiting a human body.

When things aren’t working we tend to look down and watch our feet. I invite you to consider what else you might see by looking up and opening the aperture of your perspective.

Dan Mutter 2/22/18 Dan Mutter 2/22/18

(re)Framing Causation

Some time ago, a Scottish philosopher inquired into the nature of human understanding. He saw that perceptions of sense and memory, as they present to the mind, do so in space or in time, but most importantly, in a necessary connection with each other. He reasoned that space, time, and causation are ideas. They do not actually represent the perceptions themselves. Rather, they reflect the manner in which the mind takes perceptions in, processes them, and “understands” them.

Consider the notion that what we perceive as matter - you know, “the hard stuff” of reality - is ultimately a quantum entanglement of light. All of the flavor and the scent, the gift of sound and vision, and the felt sense of perception comes from your body swimming in a sea of electromagnetic radiation.

From and within this sea of light, the mind uses the information from perception to generate ideas and does so in language. How we frame perception and how we (choose to) use language is a creative act.

Each moment in life is a creative unfolding of how we interact with this light. Tuning and turning the mind with intention and attention is a conscious choice that transforms the lens through which we perceive. We can perceive because we are embodied and this embodiment allows us to sense the relationships within and between space, time, and motion.

What if we (re)framed how we think about causation? That instead of being subject to, powerless against, or separate from the process of causation - we are the sequence of time. That essentially causation is thought and action creatively interwoven through the fabric of our reality causing, effecting, and affecting our experience in this life.